A “Live Experiential
Exhibition” is being planned by a group of young professionals as a means of
presenting the 30 paintings drawn by Charles Dayananda while incarcerated
during 1971 an 1977 for being part of the failed JVP Insurrection. More importantly, they want to generate reflection and articulation on the deeper
issues around the thoughts of the Artist and their relevance to us
today.
The Artist Charles
Dayananda himself raises several important questions around these pictures,
hidden for 42 years from the public eye. He hopes that those who experience the
‘Event of the exhibition” may dwell on the following…
Beyond the gates of
the Jail there exists a reality that is not seen by the outside world.
The exhibition will
be an opportunity to
1.
Experience a little of ‘Jail’ for the first time in one’s
life.
2.
Reflect on the
true meaning of the now popular phrase “Prisoners are human too”
3.
To evoke a
conversation beyond the simple assertion that ‘A prisoner is a criminal and he
should be punished’ and look at the life of the prisoner inside the prison in a
sensitive manner.
4.
Is maintaining a
Prison a requirement of a civilized society? Or is it a tool that enables
rulers or the ruling elite to manage society in a manner that is convenient to
them. The response to this may be the simple answer that “Criminals need
Prisons”.
5.
If that is so,
the question may be asked “What is a Crime”? “How and Why do crimes happen in
the first place?” “Who is a Criminal”? “Is there evidence of a decrease in
crime because criminals are put in prison?”?
6.
The long term
experience of every Society has been that there is no reduction or eradication
of crime owing to criminals being incarcerated in prison. A discussion can be
initiated on the lines of what might be the features of a ‘prison-free’ alternative society.
7.
The idea that
this can be achieved by creating awareness among the people and through value
education and the development of moral behavioral patterns can emerge in this
context.
8.
If that were so… the next obvious issue is … ‘How come moral
and religious education and practice over 2000 years has not borne any fruit?’
One of the main objectives of Charles Dayananda in
bring his paintings into the public view is his hope that ‘A New Social
Discussion’ on whether crime might be
result of the prevailing unethical Social structure, social injustice,
private property, class segregation and prejudice will be ignited in Sri Lankan
society in particular.
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